
Carsten Höller's Pink Mirror Carousel: A Reflective Art Experience
Artist Carsten Hller has unveiled his "Pink Mirror Carousel" at the Kulm Hotel St. Moritz, transforming a traditional fairground ride into a contemplative art installation. This mirrored structure, designed to rotate slowly, invites participants to experience time and movement in a disorienting yet meditative manner against the stunning Alpine backdrop. It challenges the conventional perception of amusement rides by focusing on reflection and the subjective experience of duration rather than speed or thrills, offering a unique fusion of art and environment.

Tanween's Evolution: From Regional Design Platform to Global Design Week
Tanween, held from November 17-22, 2025, at Ithra, served as a dynamic hub for design, empathy, and innovation. This eighth edition focused on how design can unearth latent societal needs and foster meaningful impact. A significant transition was announced: starting in 2026, Tanween will become Ithra Design Week, expanding its global footprint while retaining its community-centric ethos. Shahad Alwazani, Tanween Lead, highlights the platform's dedication to empathetic design and its ambition to position Ithra as a key player in the international design landscape.

Tent House by Nha Dan Architects: A Blending of Nature and Urban Living
Nha Dan Architects' Tent House in Vietnam redefines urban residential architecture, drawing inspiration from tent structures to create a fluid connection between indoor and outdoor spaces. Its innovative design, featuring overlapping roof planes and strategic openings, optimizes natural ventilation and daylight, fostering a harmonious living environment within a bustling city. The residence prioritizes spatial continuity and environmental performance, embodying a unique blend of modern design and natural integration.
Tom Black, an Australian interior designer, has recently launched his first furniture collection, which stands out for its emphasis on organic shapes and the innovative combination of disparate materials. This collection introduces a fresh perspective on furniture design, merging the aesthetic of sculptural art with everyday functionality, and reflecting a journey through various inspirations from architectural grandeur to calligraphic nuances.
This innovative collection, produced under Black's T Black Atelier, is not merely a display of furniture but an exploration into the possibilities of material and form. It demonstrates a refined design language that seeks to evoke emotion and provide comfort, moving beyond conventional boundaries to establish a new benchmark in contemporary interior furnishings.
The "Collection 01": A Symphony of Form and Function
Tom Black's debut collection, "Collection 01," is a masterclass in blending art and utility, showcasing a series of furniture pieces characterized by their flowing lines and intelligent pairing of diverse materials. Each item, from seating to tables, tells a story of creative exploration and a deep appreciation for both the natural world and architectural marvels. The collection's distinctive aesthetic is rooted in the designer's unique approach to material manipulation and his ability to translate broad artistic influences into tangible, functional forms, thereby challenging traditional perceptions of furniture design.
Central to "Collection 01" is the idea of transforming rigid materials into visually soft and inviting forms. The Tulip chair, for instance, artfully combines marble and orbital-brushed stainless steel, crafting a silhouette reminiscent of flower petals. Similarly, the Lounge Chair 01 and Sofa 01 draw inspiration from Italian architecture, incorporating exaggerated curves that echo historic arches and domes, all while being upholstered in a palette of earthy, neutral tones. The Coffee Table 01 and Side Table 01 further exemplify this fusion, pairing classic travertine stone with modern stainless steel inlays, complete with a functional furrow for object security. This meticulous attention to form, material, and user experience culminates in a collection that is both aesthetically captivating and profoundly practical.
Sculptural Elegance and Material Mastery
The collection further explores sculptural elegance and material mastery through pieces like the Ghezzi chair and the Oval coffee table. The Ghezzi chair stands out with its experimental design, featuring a looped, velvety upholstered frame that creates an expressively layered shape, inspired by the fluidity of traditional Italian handwritten signage. This piece highlights Black's ability to infuse a sense of movement and softness into furniture, transforming static objects into dynamic works of art that invite interaction and contemplation.
The Oval coffee table complements the collection by reiterating the theme of architectural inspiration, notably arches and domes, which are translated into dramatic, swooping walnut legs. Its oval-shaped stainless steel top, finished with a richly patterned grey timber veneer, pays homage to the distinctive burl wood championed by Ettore Sottsass and the Memphis Group. This piece, along with the others, showcases Tom Black's meticulous design philosophy: to create furniture that is not only functional but also visually compelling, offering a blend of robustness and delicate grace, and establishing a signature style that is both contemporary and timeless.